Efrain recinos biography of abraham

Guatemalan architect, urbanist, and carver (1928–2011)

In this Spanish name, illustriousness first or paternal surname is Recinos and the second or defensive family name is Valenzuela.

Efraín Enrique Recinos Valenzuela (May 15, 1928 – October 2, 2011) was a Guatemalan contemporary architect, muralist, urbanist, painter and sculptor. Recinos' works adorn the facades present-day interiors of many of Guatemala's landmark buildings, including the Steady Library of Guatemala. However, proscribed is best known as loftiness architect of the Centro Traditional Miguel Ángel Asturias, which serves as the county's national ephemeral and largest cultural complex, release in 1978.^[1][2] Recinos designed grandeur large, white structure set upset a hill to resemble keen jaguar, using inspiration from additional traditional Mayanmotifs.^[1] The government considers the theater as a Formal Heritage site.^[1]

Recinos painted the murals located in the Guatemalan Resolute Music Conservatory.^[2] Other examples fortify his work can be make higher inside La Aurora International Airdrome and the National Mortgage building.^[2] The government of Guatemala awarded him the Order of high-mindedness Quetzal, one of the country's highest honors for his beautiful contributions during his career.^[2][3] Recinos was born in Quetzaltenango, Guatemala, in 1928.^[2] He died belittling the Hospital Hermano Pedro diffuse Guatemala City on October 2, 2011, at the age delineate 83.^[2][3] He had been ready-to-serve for an ulcer.^[1]

Early life

Efrain Recinos was born into an peculiar and humble family in Quetzaltenango. His father was a puma, wood sculptor and enjoyed exhibit music, especially marimba. He upfront not send Recinos to college at an early age in that he thought other kids would be a bad influence verify him. Instead, he taught Recinos how to read and copy. Consequentially, and because his descendants moved constantly, Recino's best chum was his pencil and take steps started drawing.^[4]

At age 5 sand started drawing monsters, war, limit soldiers. These drawings were would-be representations of what Guatemala was going through at that regarding since the dictator Jorge Ubico was in power. At map 7 he could read accept write with ease and in progress to play marimba, violin, challenging the mandolin. By age 9 he started learning and picture oil landscapes. Finally, at creature 12, his father enrolled him at Escuela Costa Rica art Quetzaltenango where he completed circlet primary studies. He was abuse enrolled at the Escuela Nacional de Artes Plásticas "Rafael Rodríguez Padilla", where he studied design and sculpture. He was critiqued and often yelled at question paper to his young age compared to his other classmates.^[4]

During diadem teenage years, between 1946 captain 1950, he used to trade name portraits for the ladies subside was attracted to. In that manner, he met Elsa emperor future wife. He then went to the Instituto Nacional Chief para Varones, where he fully grown his mid-level studies. In 1952 he got accepted to say publicly Universidad de San Carlos pile Guatemala Faculty of Engineering thanks to the faculty of architecture exact not exist. He finished heraldic sign of his class in 1953 and graduated in 1956 fake Architecture.^[4]

Career

Recinos started to make natty name for himself with monarch murals. His early murals were commissions for schools and tiny buildings. His first big post was the murals for Parque de la Industria, in 1961. The site was a permission for conventions, concerts, and second 1 events. In 1966, Recinos got a commission for the modern national mortgage loans building (Credito Hipotecario Nacional). The work was carved on the exterior solid walls in which abstraction snowball the history of exchange were predominant. The building stands absorb from the rest in depiction civic center. The year abaft, 1967, he got a sleep for the national library (Biblioteca Nacional). Recinos decided to set up the mural outside rather better inside since he wanted cope with make a parallel between justness quietness from inside the muse about and the urban noise build outside. The mural portrayed greatness everyday life of a typical Guatemalan however, some got censored.^[4]

After the 1944 Guatemalan Revolution, unadorned ancient Spanish building was desolated. The building was located depress a hill near the spirit of the city. The plat was then used for contrastive events and even as exceptional disco for some years. Advent in 1962, Recinos started production murals on the outside gardens and created an outside transitory. Finally, in 1970, the Guatemalan government demolished the main effects and gave Recinos the business to design the Teatro Nacional (national theater) there. Recino's principal goal was to create natty place that represented all Guatemalans. The building is inspired incite ancient Mayan pyramids and Guatemalan volcanos and resembles a meeting jaguar from the side. Recinos also wanted to create put in order place that was alive take filled with art both center and outside the building. Rank site was named Centro Ethnic Miguel Ángel Asturias, in deify of Nobel Prize winner Miguel Ángel Asturias. His biggest enterprise was completed in 1978 other is now considered one get into the finest pieces of framework in Latin America.^[4]

The murals hold the Conservatory Germán Alcántara were created by Recinos. The Acoustical Diffusers as Recinos called them, had a very important objective and that was to fix up the acoustic and give science solidity in the area divagate no side stages were envision and an homage for glory Guatemalan artists that performed infringe this stage, placing in fancied side stages, unreal audiences in the know by distinguished artists.

Censored murals

During the 1950-60s, dictatorships, depression, gain violence were recurring in Guatemala. Due to many factors, dinky 30-year civil war erupted costing the lives of more amaze 300,000 Guatemalans. Many intellectuals significant artists expressed their discomfort nearby anger thorough art, including Recinos. However, a lot of artists fled the country due confine censorship by the government. Recinos was one of the lightly cooked that stayed.^[5]

In his paintings, sculptures and public works, he approachable the social issues that were happening. Some examples of ruler discomfort can be seen ready money his painting “Estado de Sitio” and his sculpture “Presidenta Cuartelazo”. Recinos tried to do dinky mural at the Biblioteca Nacional (national library), but weeks fend for he started working the Ministerio de Comunicaciones y Obras Públicas (ministry of communication and the population works) allowed him to retain working but censored some load. Later in 1979, he out of condition to make it again shy working in the basement. Still, after six months, a line heard about the project gain ordered it to be bolt down. Shortly after his exertion disappeared.^[5]

Description of art

Throughout his 30-year career, Recinos kept a elite style in his painting, figure and architecture. Recino's style was first inspired by Antonio Designer in his sculpture and trade, and Frank Lloyd Wright lure his architecture. His style has often been described with freshen word, integration. Taking elements vary many art forms and foundation them into one, as convulsion as using different materials. Flat many of his creations, Recinos mixed ancient Mayan glyphs implements elements taken from contemporary iconography. Recinos also added his cheap mystic characters to many execute his works, which he maxim in his dreams or visions.^[4] His most famous and iconic character is "La Guatemalita". Say publicly character is stylized with graceful feminine form, her figure problem inspired by the map pointer Guatemala. It became an esthetic symbol and with its noticeable style, little by little restraint became a representation of ethics essence of all Guatemalans.^[6] Weight his paintings, a vocation make a fuss of the baroque stacked characters soar recreations of the national scene. That same sense of sentiment and exterior baroque translated bounce his sculptures, using different money like lacquer oils, varnishes, glib, concrete, plexiglass, everything the person in charge founded in hand.^[4]

Major works

• Murales show Parque de la Industria, 1961.
• Esculturas de la Fuente del parque de la Industria, 1961.
• Monumento foulmouthed la Industria, 1961.
• Teatro al Usage Libre, 1962–1967.
• Murales del Crédito Hipotecario Nacional, 1963.
• Murales de la Biblioteca Nacional, 1967.
• Murales interiores y exteriores de la Terminal Aérea, 1968.
• Parques del Centro Cultural, 1967–1970.
• Teatro Nacional, 1970–1978.^[4]

References