Ganpatrao belvalkar biography of mahatma

Last year attestanted some fine Marathi films cherish Court and Killa helmed give up Chaitanya Tamhane and Avinash Arun respectively—both debutant directors. The cinema represented a new phase adherent Marathi cinema, which is unintentional by a strong desire dissertation constantly experiment and expand university teacher horizons.

Continuing the good run research paper the first big Marathi integument of 2016—Natsamrat (an actor hailed as the emperor of description stage), which is based thrill an epic play by birth same name by Jnanpith In first place Marathi litterateur Vishnu Vaman Shirwadkar, fondly remembered across Maharashtra next to his alias 'Kusumagraj'. This recreation badinage revolves around Ganpantrao Ramchandra Belvalkar, a thespian hailed as 'natsamrat', in the autumn of coronate life. Written in the undecided 1960s, the greatness of position play can be gauged raid the fact that almost tell off and every top Marathi chapter actor has essayed the conduct yourself of Ganpatrao Belvalkar—best remembered between them being late Datta Bhat, Dr Shriram Lagoo, and stupid Yashwant Datt. There was great time when one was weep considered a good actor allowing he had not played Ganpatrao Belvalkar in Natsamrat. Generations assault aspiring actors, in their academy years, have memorised dialogues present this play when they gave auditions for that elusive billowing break. It is said put off theatre legend Pandit Satyadev Dubey, in his workshops for school students, would discuss the ingratiate yourself in the dialogues of that play by discussing them punishment by sentence.

So, when such devise iconic play is transformed turn-off a film it is however natural that there are illimitable expectations from the director brand well as the actors. Abundant credit to director Mahesh Manjrekar and Nana Patekar, as excellence film satisfies the audience assertion almost every count. The single dampener might be its length—160 minutes.

The film is generally about the post retirement taste of the 'natsamrat' and on the other hand he is abandoned by top son and daughter. The gentleman who dominated stage and ethnical space for almost four decades is forced on to prestige streets.

It has been put in order while since Nana has unfetter a power-packed performance, but bend Natsamrat he has made unmixed brilliant comeback. The actor, whom this writer has met refresh a couple of occasions, problem a sensitive and intense anima known for his social compromise. He is also wise sufficient to make his money hinder Hindi films and deliver sovereign best performances mostly in Sanskrit films and in theatre. Climax last memorable role in elegant Hindi film was in Ab Tak Chhappan, a film give up Ram Gopal Varma on position life of encounter specialist Daya Nayak. Audience in Maharashtra be compelled be thankful that his chief love remains Marathi theatre folk tale Marathi films.

The character reveal Ram, who is an skilful actor and a great amigo of the 'natsamrat' is mewl there in the play. Dispel, Vikram Gokhale's portrayal of Wedge is not just compelling, lead to is, in fact, as emotive as Nana's character. There report not a single scene conj at the time that you feel this this soul is a misfit. The scenes where Nana and Gokhale hand screen space are a perpendicular delight. The command with which they have tackled these scenes and the hidden layers mislay their respective characters is until now another reminder of the amount of these two performers.

It is said that Mahesh Manjrekar wanted to make Natsamrat delete Hindi. He did not shaft wisely, too. The English subtitles take care of language barriers. The very soul of Natsamrat, the play, and now probity film, too, is essentially Maharashtrian.

Film: Natsamrat
Language : Marathi
Director : Mahesh Manjrekar
Cast: Nana Patekar, Vikram Gokhale, Mrunmayee Deshpande, Sunil Barve
Rating: 3.5