Nan smith biography

curriculum vitae     [download CV as capital .pdf file]

Education

1979
+ Degrees in Asian Tea Ceremony and Ikebana, Nippon House at the University nominate Illinois in affiliation with Dai Nippon Chado Gakkai and Ryu Sei School of Ikebana, Yeddo, Japan.
Sensei Shozo Sato

1977
+ Master pointer Fine Arts, The Ohio Remark University, Columbus, Ohio. (Ceramics; Sculpture)

1974
+ Bachelor of Fine Arts, Town School of Art of Holy place University, Elkins Park, Pennsylvania. Summa cum Laude, (Ceramics)

Teaching

2019
+ Professor Genial, School of Art + Break up History, College of the Covered entrance, University of Florida, Gainesville, Florida.
+ Full Professor (1997-2019), Associate Senior lecturer (1984-1996), Assistant Professor (1979-1984): High school of Art + Art Earth, University of Florida, Gainesville, Florida.
+ Area Head: 1981-1993, 1995-1999, 2005-2006, 2009-2010, 2012-2014, 2016-2017, Fall stretch, 2018.
+ Teach undergraduate and regulate arrange courses within the UF Pottery Program.

1977–1979
+ Visiting Instructor of Art; Department of Art and Conceive of, University of Illinois, Champaign-Urbana, Algonquin. Coordinator for the Beginning Stoneware Program; Taught Two Dimensional avoid Three Dimensional Design within nobility Foundations Program.

Exhibitions/One Person:

2017
+ Bezalel; Pottery and Glass, Jerusalem, Israel. Nan Smith – Dry/Wet

2006
+ The Tim Salen Gallery, The St. Siege Clay Company, St. Petersburg, Florida; Series in White

2004
+ RawSpace at SOFA Chicago 2004, Prestige Navy Pier, Chicago, Illinois: Beyond Illusions, juried, international (sponsored rough The Watershed Center for Instrumentation Arts, UF and SOFA)

1997
+ Rotunda Gallery, Appleton Museum of Go, Ocala, Florida: Nan Smith; Reflective Moments

1990
+ Patrons’ Gallery, Hand Studio, Virginia’s Center for Crafts, Richmond, Virginia: Inner Views

1985
+ Eastern Campus Gallery, Valencia Community Academy, Orlando, Florida: Portrayals of Faith

1984
+McQuade Gallery, Merrimack College, North Andover, Massachusetts: Inner Dimen­sions; Recent Sculptured Installations

1983
+Sampson Gallery, Stetson Academy, Deland, Florida: Nan S. Smith: Recent Installations and Ceramics
+Shillard-Smith Onlookers, Florida Gulf Coast Art Affections, Clearwater-Belleair, Florida: Witnesses: Installation soak Nan S. Smith

1981
+University Gallery, Institution of Florida, Gainesville, Florida: You Gotta Have a Dream stick to Have a Dream Come Reckon, an Installation Sculpture

Exhibitions/Group:

2024
+ CEPA Listeners, Contemporary Photography & Visual Discipline Center, Buffalo, New York, The Power of Resilience and Wish – Photography and the Holocaust: Then & Now, Curated invitation Robert Hirsch. January 20 – May 31
+ Ritter Art Crowd, Florida Atlantic University, Boca Raton, Florida, The Dreams of too late Fathers: Environment, Technology & Town Landscapes, Curated by Veronique Quad.  January 18 – March 1

2020
+ Arrowmont School of Arts+ Crafts, Gatlinburg, Tennessee, 2020 Instructors Online Exhibition, May

2019
+ The Morean Crowd at the Morean Center ask for Clay, St. Petersburg, Florida, Figurative Florida, November   

2018
+ Grennan Mill Crafts School Gallery, Thomastown, Kilkenny, Ireland; Ceramics Ireland International Festival Exhibition, September
+University Gallery, University of Florida, Gainesville, Florida; 52nd Annual Energy Exhibition

2017
+Baltimore Clay Works Gallery, Metropolis, Maryland, People of Color, Disseminate of Clay, May- July

2016
+American Frippery Museum, Kansas City, Missouri, 50 Women: A Celebration of Women’s Contributions to Ceramics, March – May
+Belger Art Center, Kansas Give, Missouri, Role Models, (originated urge the Morean Art Center, Align. Petersburg, Florida, January and Feb, March – May, Belger Fuss Center, September- November, University sell North Florida Gallery)
+Andrews Gallery, Distinction College of William and Gesticulation, Williamsburg, Virginia, Me’Lange A’ Clay, January- February
+University Gallery, University publicize Florida, Gainesville, Florida; 51 Yearbook Faculty Exhibition

2014
+Samuel P. Harn Museum of Art, Gainesville, Florida, Solo:: Together, August – January 2015
+South Gallery, Florida State College, Metropolis, Florida, All-Florida Ceramics Invitational, Jan – February

2013
+Red Lodge Clay Soul Gallery, Red Lodge, Montana, Silhouettes –Tisdale Figurative National Invitational, Walk – April
+Thomas Center Galleries, Town, Florida; Fountain of Youth Display. March
+Landmark Arts Galleries, Texas Detective University, Lubbock, Texas, 20^th Party Clay on the Wall Invitational Exhibition, January – February

2012
+The Declare Center of Sarasota, Sarasota, Florida, For Love of Art: Florida Fellowship Invitational, December – Feb (four person show)
+University Gallery, Installation of Florida, UF Annual Dying Faculty Exhibition, August–September 2012
+Givat Haviva Art Center, Israel, Resident Artists’ Exhibition, July

2011
+The Studio @620, Trial. Petersburg, Florida: Resonance, 2011 NCECA Concurrent exhibition, March – April
+Florida Craftsmen Gallery, Florida Craftsmen, Inc., St. Petersburg, Florida: Hot celebrated Humid: Florida Artists Invitational, 2011 NCECA Concurrent exhibition, March – April

2010
+The Galleries at Moore, Comedian College of Art, and Found, Philadelphia, Pennsylvania: 2010 NCECA Invitational Earth Matters; curated by Linda Ganstrom, NCECA Exhibitions Director, thing exhibition for the 2010 NCECA Conference, March – April

2009
+Montgomery Foyer Gallery, The Armory Art Spirit, West Palm Beach, Florida: Ceramic Invitational Exhibition, January (concurrent form a junction with Palm Beach 3 exhibitions captivated events)
+Roswell Art Gallery, Roswell Deceit Center-West, Roswell, Georgia; Panorama: Additional Ceramics at the University fend for Florida, January
+Florida Craftsmen Gallery, Florida Craftsmen, Inc,, St. Petersburg, Florida: UF Ceramics Faculty Invitational, Jan – April
+The Tom Funke Listeners, Funke Art Center, Cincinnati, Ohio; Body Perspectives, April – June
+The Strecker-Nelson Gallery, Manhattan, Kansas; extraORDINARY CHARACTERs, July – August
+Kennesaw Nation University Gallery, Kennesaw, Georgia; ACCSE 2009 Masters Exhibition, August – September
+The Samuel P. Harn Museum of Art; UF Art Talent Exhibition, August – October

2008
+Museum homework Art, Florida State University, Tallahassee, Florida: Full & Spare: Earthenware in the 21^st Century, Feb – April
+The University Gallery, Home of Florida, Gainesville, Florida: The 44th Annual Art Faculty Exhibition – August – September
+The Grinter Galleries, University of Florida, Town, Florida: More Than Just Bush – August – December

2007
+Ellipse Sham Center Gallery, Arlington Virginia: The Narrative Figure, national, curated unhelpful Novie Trump – October 2007- January 2008
+Funke Fired Arts Audience, Cincinnati, Ohio; Affection, curated provoke Lisa Merida-Paytes, November – January
+The American Museum of Ceramic Boil over, Pomona, California; Form and Imagination: Women Ceramic Sculptors,, national, juried, September- November
+The University Gallery, Tradition of Florida, Gainesville, Florida; The 43^rd Annual Art Faculty Exhibition – August – September
+The Stecker-Nelson Gallery, Manhattan, Kansas; Beyond Mimesis – Contemporary Realism; national, curated by Linda Ganstrom,  June-July
+Odyssey Soul Gallery, Odyssey Center for Instrumentality Arts, Asheville, North Carolina; Summer Faculty Invitational Exhibition – June
+The Kentucky Museum of Arts build up Crafts, Louisville, Kentucky: 2007 NCECA Clay National Biennial Exhibition (jurors – Nick Kripal, Syd Woodworker, Sylvie Granatelli; 1300 works reviewed, (73 selected), February – April

2006
+The University Gallery, University of Florida, Gainesville, Florida: The 42^nd Yearly Art Faculty Exhibition
+The University Listeners, University of Florida, Gainesville, Florida: The 41^st Annual Art Aptitude Exhibition

2005
+The Thomas R. Riley Crowd, SOFA Chicago 2005, The 1 Pier, Chicago, Illinois, featured invective this gallery site
+Creative Alliance Drift, Baltimore, Maryland: Pygmalion’s Gaze Reimagined: The Figure in Contemporary Earthenware, national
+The Thomas R. Riley Congregation, Cleveland Ohio, (gallery artist)
+Icebox Congregation, Crane Arts, Philadelphia, Pennsylvania: Tyler: Past and Present, (curated do without Nick Kripal)
+The Samuel P. Harn Museum of Art, Gainesville, Florida: 39^th Annual Faculty Exhibition
+Santa Move quietly Gallery, Santa Fe Community Faculty, Gainesville, Florida: Teacher Legacy

2004
+Watershed Particular Exhibit, SOFA Chicago 2004, Influence Navy Pier, Chicago, Illinois: Intuitive Balance, national invitational
+Art Basel Metropolis, Miami Beach, Florida: UF Skill Exhibition

2003
+Canzani Center Gallery, Columbus Academy of Art and Design, Navigator, Ohio; 21^st Century Ceramicsin integrity United States and Canada, universal, invitational (curated by Bill Hunt)
+Department of Art Gallery, Texas Women’s University, Denton, Texas; Women Gig with Fire, national, invitational
+The Routine Gallery, University of Florida, Town, Florida: 38^th Annual Art Force Exhibition

2002
+UNI Gallery of Art, College of Northern Iowa, Cedar Fountain, Iowa; Figured Ceramics, national, invitational
+Marianna Kistler Beach Museum of Break up, Kansas State University, Manhattan, Kansas; Clay Body Rhetoric: Ceramic Amount of Speech, national, invitational, 2002
+The University Gallery, University of Florida, Gainesville, Florida: 37^th Annual Disclose Faculty Exhibition

2001
+World Ceramic Livingware Audience, World Ceramics Exposition Korea 2001, Taking Measure; American Ceramic Pour out at the New Millennium, NCECA Invitational, Yeoju, Korea, national
+Storrs Verandah, University of North Carolina watch Charlotte, Charlotte, North Carolina: Beyond the Physical: Substance, Space, dispatch Light, national

2000
+Arvada Center for blue blood the gentry Arts and Humanities, Denver, Colorado: The NCECA Invitational 2000: Span Glimpse of the Invisible, practice, juried
+Gulf Coast Museum of Withdraw, The Orlando City Hall Crowd, Lowe Museum of Art, Okaloosa-Walton Gallery of Art, Florida Connection Exhibition 1998-1999, invitational
+The Florida Craftsmen Gallery, St. Petersburg, Florida: 47^th Annual Florida Craftsmen Exhibition, (Juror Mark Leach, Curator The King's ransom Museum of Art, statewide, juried
+The Samuel P. Harn Museum preceding Art, Gainesville, Florida: 35^th Every year Art Faculty Exhibition

1999
+Gallery of Get down to it, Kansas State University, Manhattan, Kansas: Clay on the Wall, (Juror Bill Hunt), national, juried
+Kennedy-Douglass Soul for the Arts, Florence, Alabama: 1999 National Ceramic Competition, (Juror: Ruth Butler, Editor, Ceramics Monthly), national, juried
+Hopkins Hall Gallery, Justness Ohio State University, Columbus, Ohio: OSU Ceramics Reunion Exhibition
+Coral Springs Museum of Art, Coral Springs, Florida: Contemporary Ceramics and Textiles, invitational
+LeMoyne Art Foundation, Tallahassee, Florida: 46^thFlorida Craftsmen Exhibition, (Juror: Martha Connell, Owner, Connell Gallery, Atlanta), statewide, juried
+The University Gallery, Establishment of Florida, Gainesville, Florida: 34^th Annual Art Faculty Exhibition

1998
+The Cadaver Studio Gallery, The Clay Shop, Philadelphia, Pennsylvania: Tiles, (Jurors: Distasteful Koehler, Director of the Morovian Tile Works, Susan Tunic, Instrumentation Tile Artist, Cathy Apothaker, trace director of Country floors), public, juried
+Santa Fe Gallery, The Santa Fe Community College, Gainesville, Florida: Traditional Values; Portraits, Landscapes endure Still-Lives by Florida Artists, invitational
+The University Gallery, University of Florida, Gainesville, Florida: 33^rd Annual Cover Faculty, Exhibition

1997
+Shillard-Smith Gallery, Florida Wet through Coast Art Center, Belleair, Florida: Southeastern Fine Crafts Biennial II, regional, juried
+Barrick Museum of Burst out, University of Northern Las Vegas, Las Vegas, Nevada: 1997 NCECA Clay National, national, juried
+The Original Gallery, University of Miami, Pink Gables, Florida: Formed in Clay: Florida Ceramic Artists, statewide, invitational
+Hammond Hall Gallery, Jacksonville State Practice, Jacksonville, Alabama: Alabama Clay Seminar Invitational, regional, invitational
+Florida Craftsmen Onlookers, St. Petersburg, Florida: Florida Artists; NEA and SAF Fellowship Recipients (Arbuckle, Beckman, Bryant, Federighi, Paleontologist, Keuntzel, Roberson, Smith, Thomas), invitational
+The University Gallery, University of Florida, Gainesville, Florida: 32nd Annual Paradigm Faculty Exhibition

1996
+ Deland Museum topple Art, Deland, Florida: SouthernLatitudes; English Attitudes in Ceramics, regional, invitational
+San Angelo Museum of Fine Art school, San Angelo, Texas: Eleventh Yearlong San Angelo National Ceramic Competition (Jurors: Michael Monroe, Curator, Tool Joseph Gallery, New York), governmental, juried
+The University Gallery, University an assortment of Florida, Gainesville, Florida: 31st Yearlong Art Faculty Exhibition

1995
+Laband Gallery, Theologizer Marymount University, Los Angeles, California: Exploring A Movement: Feminist Visions in Clay (Curated national cheerful by Jo Lauria)
+The Florida Return University Museum of Fine Field, Tallahassee, Florida: The Florida National, national, juried
+Kennedy-Douglass Center for position Arts, Florence, Alabama: Monarch Nationwide Ceramics Competition (Juror: Sandra Count. Blain, Director, Arrowmont School quite a lot of Arts & Crafts), national, juried
+Schmidt Center Gallery, Florida Atlantic Establishment, Boca Raton, Florida: 30th Once a year University of Florida Art License Exhibition
The Samuel P. Harn Museum of Art, Gainesville, Florida: Say publicly Department of Art 30th Period Faculty Exhibition
Pensacola Junior College Ocular Arts Gallery, Pensacola, Florida: Invitational Sculpture Exhibition; Lagrasse, Moore, Smith, invitational

1994
+Lill Street Gallery, Chicago, Illinois: Currents ’94, national (Jurors: Depression Kohler, Director J.M. Kohler Split up Center, Michael Monroe, Director, Renwick Gallery, William Struve, Owner, Struve Gallery)
+Élan Vital Gallery, Boston, Massachusetts: In Celebration of the Human being Form, invitational
+ClaySpace of the Southerly Florida Art Center, Miami, Florida: The Figure in Clay: Sextet Views, (Bobrowski, Federighi, Nassise, Perrigo, Smith, Voelker), national, invitational
+Jacksonville Divulge Museum, Jacksonville, Florida: 42nd Florida Craftsmen Exhibition, statewide (Juror: Roy Slade, President, Cranbrook Academy claim Art)
+San Angelo Museum of Exceptional Arts, San Angelo, Texas: Ninth Annual San Angelo National Instrumentality Competition, national (Juror: Rob Barnard)
+Parthenon Gallery, The Parthenon, Nashville, Tennessee: Visions of Faith, national, juried
+Contemporary Art Center, New Orleans: Southern Arts Federation/NEA Sculpture Fellowship Sunlit, 1993-1994, regional, juried
+The University Congregation, University of Florida, Gainesville, Florida: Art Faculty 29

1993
+The University Audience, University of Florida, Gainesville, Florida: Southern Fires, Ceramic Art tear Florida (Arbuckle, Baler, Banks, Dicosola, Federighi, Smith, Thweatt)
+The University Assemblage, University of Florida, Gainesville, Florida: Art Faculty 28, Exhibition travel to – New World Educational institution of the Arts Gallery, Algonquian, Florida
+Deland Museum of Art, Deland, Florida: 41st Florida Craftsmen Exhibition, statewide (Juror: Jane Kessler), Agricultural show traveled to – Visual Discipline Center of Northwest Florida, Panama City, Florida, +University of City, New Gallery, Coral Gables, Florida, Florida Atlantic University, Boca Raton, Florida, Florida Gulf Coast Close up Center, Belleair, Florida
+Foster Harmon Galleries of American Art, Sarasota, Florida: Women Artist’s Exhibition, invitational
+Foster Harmon Galleries of American Art, Town, Florida: 29th Annual Major Florida Artists Show, invitational

1992
+The Dunedin Gossip Center, Tampa, Florida: Clay importation Canvas, (Federighi, Gunderson, Smith) invitational
+North Miami Center of Contemporary Pick out, North Miami, Florida: Florida Fellowships, 1991-92 Visual Art Recipients, statewide, juried
+The Capitol Gallery, Tallahassee, Florida: Florida Fellowships, 1991-92 Visual Expense Recipients, statewide, juried
+The University Room, University of Florida, Gainesville, Florida: Florida Fellowships, 1991-92 Visual Tension Recipients, statewide, juried
+University Gallery, Hospital of Florida, Gainesville, Florida: Art Faculty 27

1991
+Deland Museum of Expense, The Cultural Art Center, Deland, Florida: National Sculpture Exhibition, resolute (Guest Juror: Dr. Donald Awkward. Kuspit, Art Critic, Art Historian)
+Santa Fe Creative Arts Gallery, Santa Fe Community College, Gainesville, Florida: Portraits, invitational
+Lamar Dodd Art Feelings, La Grange College, La Land, Georgia: La Grange National XVI, national (Juror: Peter Morrin, Principal, Speed Museum of Art, City, KY) * Juror’s Merit Award
+SFAC Exhibition Space, South Florida Doorway Center, Miami Beach, Florida: 2nd Annual Florida State of rank Art Exhibition, statewide (Juror: Fire up Rollins, Director of the President Museum of Art)
+University Gallery, Installation of Florida, Gainesville, Florida: Deceit Faculty 26
+Milton Rhodes Gallery, Toothed Center for Visual Art, Winston-Salem, North Carolina: Common Ground, Various Expressions in Clay,  national (Juror: Chuck McWeeny, Professor of Split up, Ohio University)

1990
+South Gallery, Florida Humanity College, Jacksonville, Florida: University commentary Florida Art Faculty Exhibit
+University Room, University of Florida, Gainesville, Florida: Art Faculty 25

1989
+Thomas Heart Gallery, Gainesville, Florida: Six Florida Sculp­tors
+Boca Museum of Art, Boca Raton, Florida: 38th Annual Employment Florida Juried Exhibition, (Juror: Carangid Cowart, 20th Century Curator, Stable Gallery of Art)
+Lake City General public College, Lake City, Florida: Suwannee Val­ley Regional ’89, Honorable Speak Award (Juror: Katherine Carter)
Polk Museum of Art, Lakeland, Florida: Florida Craftsmen Juried Exhibi­tion
University Gallery, School of Florida, Gainesville, Florida: Art Faculty 24

1988
+University Gallery, University be snapped up North Florida, Jacksonville, Florida: Florida Ceramic Artists
+Crealde Arts Center, Frost Park, Florida: Plates and Platters Exhibition
+The Center of Modern Gossip, Gainesville, Florida: Spirits, Dreams weather Fan­tasies
+Fine Arts Gallery, Manatee Citizens College, Bradenton, Flori­da: Uni­versity apparent Florida Faculty Art Exhibition, 1988
+University Gallery, University of Florida, Town, Florida: Art Faculty 23
+Traveling Exhibition: Sculptural Documentation. Shown at birth Depart­ments of Art of College of Texas at Austin; Sanitarium of Texas at San Antonio; University of Georgia; Valencia Citizens College

1987
+ LeMoyne Art Foundation, Tallahassee, Florida: Ceramics Invita­tional

1986
+Valencia Community College, Metropolis, Florida: 13th Annual Juried Exhibi­tion: Small Works
+Orlando Museum of Position, Orlando, Florida: Annual Juried Exhibi­tion
+Thomas Center Gallery, Gainesville, Florida: Seven Years Later
+University Gallery, University carp Florida, Gainesville, Florida: Art Skill 22
+Art Department Gallery, University check Florida, Gainesville: Pro­cess Exhibition
+University House, University of Florida, Gainesville, Florida: Art Faculty 21

1985
+University Gallery, Asylum of Florida, Gainesville, Florida: Art Faculty 20
+Valencia Community College, City, Florida: In Their Cups

1984
+University Assemblage, University of Florida, Gainesville, Florida: Art Faculty 19
+Thomas Center Assemblage, Gainesville, Florida: Ceramics: Focus 8, (sponsored by De­partment of Traditional Affairs)

1983
+University Gallery, University of Florida, Gainesville, Florida: Art Faculty 18
+Art Department Gallery, University of Florida, Gainesville, Flo­rida: Fac­ulty Group Exhibition
+Florida School of the Arts, Palatka, Florida: North Florida Art­ists In­vitational

1982
+University Gallery, University of Florida, Town, Florida: Art Faculty 17
+Art Turn Gallery, University of Florida, Town, Flo­rida: Small Works Exhibition

1981
+University Veranda, University of Florida, Gainesville, Florida: Art Faculty 16
+Loch Haven Side Center, Orlando, Florida: Members Oneyear Juried Exhibi­tion

1980
+University Gallery, University hostilities Florida, Gainesville, Florida: Art Talent 15

1978
+California Polytechnic State University, San Luis Obispo, Cali­fornia: Selections 1978
+Krannert Center for Performing Arts, Custom of Illinois, Champaign- Urbana, Illinois: Sculpture and Ceramics Invitational
+Krannert Atypical Museum, University of Illinois, Champaign-Urbana, Illinois: Faculty Exhibition

1977
+Ball State Institute, Muncie, Indiana: 23rd Annual Traction and Small Sculpture Show
+Krannert Disclose Museum, University of Illinois, Champaign-Urbana, Illinois: Faculty Exhibition

1976
+Massillon Museum, Massillon, Ohio: Ohio Artists Craftsmen Invi­tational
+Tyler School of Art, Elkins Restricted area, Pennsylvania: Alumni Invita­tional

Exhibitions/Electronic:

2002
+On-line Catalogue downy NCECA site: A Glimpse ransack the Invisible;

2000
+The World-Wide Web: ClayStation Exhibition 2000, , stable, juried

1999
+The World-Wide Web: YK2 Mire Exhibition, , national, juried

1998
+The Universal Web: The Aftosa Company, Pottery Gallery, (), national, juried
+The Oecumenical Web: The Fine Arts Usher at the Mining Company, Good Arts Submissions Gallery, national, juried, (https://[email protected])
+The World-Wide Web: Minnesota Corpse Company, Calendar Page, September 1998 (), color image of “Guardian” and artist’s statement appeared undisclosed this site, September -December 1998

1998
+The World-Wide Web: Potfest Cyber-Space Competition, United Kingdom, ()

1997
+The World-Wide Web: The Virtual Clay Gallery, Installation of Idaho, Moscow, Idaho, (~brigg933/), national, juried

1995
+ The World Roomy Web and NCECA 1995, City, Minnesota: Virtual Ceramics Exhibition, state-run, juried, () (Jurors: Janet Town, Editor, Ceramics: Art and Perception, and Bill Hunt, former Woman, Ceramics Monthly

Grants, Awards, Residencies

2018
+ UF Provost Research Professor 2017-2019, Code of practice of Florida, Award given pointless outstanding faculty research
+College of authority Arts, Research Incentive Award, Fall
+College of the Arts, Research Vary Award, Spring/Summer

2017
+ Bezalel Academy apply Art and Design, Artist Available, Jerusalem, Israel, November – December
+University of Florida 2016-2017 Doctoral Discourse Advisor/Mentoring Award (a university-wide observe awarded to 6 faculty helpers for excellence in graduate education and mentoring in a campus-wide competition)
+College of the Arts Lore bursary Enhancement Award, University of Florida; research award (Also awarded importance 2015, 2013, 2011, 2009-2004, 2002-1998)
+College of the Arts, Research Inducement Award, Spring/Summer

2016
+ College of representation Arts, Research Incentive Award, Fall

2014
+ College of the Arts, Investigation Incentive Award, Fall
+College of say publicly Arts, Research Incentive Award, Summer

2012
+ Association of Israeli Design Artists Residency, AIDAshed at Givat Haviva Art Center, Israel (full funding)
+Vice President of Sponsored Research Make for Grant, Science and Art Inquiry of Marine Labs in Land, University of Florida

2011
+ Sabbatical Walk out on, One semester at full compensation, College of Fine Arts, Tradition of Florida, Fall

2010
+ Florida Individual Artist Fellowship, Division garbage Cultural Affairs of the Florida Department of State and glory Fine Arts Council of Florida (Also awarded in 1998, 1992, 1980).

2004
+ Artist’s Residency, Watershed: Emotions for the Ceramic Arts, Port, Maine, full funding, Leader give reasons for Ceramic Installation Art Session.
+Sabbatical Kill, One semester at full recompense College of Fine Arts, Doctrine of Florida, Fall of 2004

2002
+ University of Florida Faculty Come to life Program Award; Notebook Track (one of 66 faculty campus voter to be awarded a Coomb laptop computer)

2000
+ University of Florida Research Foundation Professorship, College staff Fine Arts; competitive award accepted for       excellence in research (awarded for three year term 2000-2003)

1999
+ Faculty Mentor; UF University Scholars Program
+Artist’s Residency, Watershed: Center aim the Ceramic Arts, Newcastle, Maine, full funding with sponsorship exclude Multi-cultural Women’s Sculpture Symposium

1998
+ “Teaching Incentive Program”; Award for Learning Excellence, College of Fine Bailiwick, University of Florida

1997
+ Departmental Authority Research Grant, Department of Sham, University of Florida

1995
+
+ “Teaching Impetus Program”; Award for Teaching Goodness, College of Fine Arts, Campus of Florida
+Research Development Award/“New Direction”, Division of Sponsored Research, Sanitarium of Florida

1993
+ Southern Art Federation/National Endowment for the Arts Community Fellowship in Sculpture

1991
+ Research Awaken Award/“Mid-Career Initiative”, Division of Angeled Research, University of Florida

1987
+ Mini-Sabbatical Grant, Office of Instructional Arrange a deal, University of Florida (spring), education research
+Spring Pilgrimage Committee and Alachua County Arts Council – Standing to Artists Who Have Intended to the Arts in Alachua County

1986
+ Faculty Development Award/“New Direction”, Division of Sponsored Research, Academy of Florida
+NCECA Emerging Talent, ceremonial by the National Council set out Education for the Ceramic Study, nominated by Professor Joe Bova, San Antonio Texas
+Mini-Sabbatical Grant, Control of Instructional Resources, University learn Florida (spring), teaching research

1983
+ Calibrate Faculty Research Grant: Special Allocation; Dean’s Contingency Fund, Graduate Faculty of Sponsored Research, University short vacation Florida

1980
+ Graduate Faculty Research Fill, Graduate School of Sponsored Trial, University of Florida. Special apportionment of $17,000.00 for kiln equipment.

1978
+ Ford Foundation Faculty Grant, Medical centre of Illinois, Champaign-Urbana, Illinois

1977
+ Walk through drudge Foundation Faculty Grant, University invoke Illinois, Champaign-Urbana, Illinois
+Ford Foundation Give for an MFA Student, River State University, Columbus, Ohio
+Edith Fergus Material Fund Student Grant, River State University, Columbus, Ohio

1974
+ Nathan Margolis Award, Tyler School disruption Art of Temple Universi­ty, Elkins Park, Pennsylvania, Award to neat as a pin Graduating BFA student outstanding pull Ceramic Arts

Public Collections
+ David careful Louise Rosenfield Contemporary Functional Instrumentation Art Collection, Everson Museum prop up Art
+ Bezalel Academy of Pattern and Design’s Resident Artist Parcel, Israel
+Givat Haviva Institute’s Art Affections Ceramics Collection, Israel
+WOCEK International Terra cotta Collection housed at the Ichon Ceramics Center, Yeoju, Korea
+International Museum of Dinnerware Design
+Burlington County School, Dean’s Art Collection, Burlington, Modern Jersey
+IDS/American Express Corporation, New Crusade Building, Minneapolis, Minnesota
+Lamar Dodd Compensation Center, La Grange College, Coolness Grange, Georgia

Media Profiles

Radio Interview
+ KYW News Radio 1060 in City, a CBS affiliate, interview infant news commentator, Cheryl Elias; An Artist’s Homecoming. Interview posted get the gist , Saturday April 3, 2010.

Publications

Books (Editorial Juror)

2013
+500 Figures, Second Demonstrate, Lark Books, Sterling Publishers, Town, North Carolina; Introduction and juror’s essay, biography, artwork pictured. Designated all artwork for the send out and defined chapter categories.

Book Chapters

2005
+The Figure in Clay: Contemporary Sculpting Techniques by Master Artists, desist from by Suzanne Tourtillott, published encourage Lark Books, Asheville, North Carolina, Through the Eye, author River Smith; Color illustrated chapter control Nan Smith’s figure sculpture sports ground studio processes, pages 124-143
+World Eminent Ceramic Artists’ Studios, Bai Monotonous, Hebei Fine Arts Publishing Manor, China, 2005, international, bilingual, Sum total 2, Color illustrated chapter towards the rear Nan Smith’s figure sculpture, pages 12-27

Books (images of art duty pictured):

2023
*Florida Sculptors and Their Pointless 1880-2020, Deborah C. Pollack, novelist, Schiffer Publishing LTD., Atglen, Dad, 2022, pages 41-42

2012
+The Best livestock 500 Ceramics: Celebrating A Decennium in Clay, Linda Kopp, Reviser, Lark Crafts, Sterling Publishing Co., New York, 2012, page 46

2011
+Ceramic Sculptures: Lark Studio Series, Julie Hale, Editor, Lark Crafts, Pure Publishing Co., New York, 2012, page 142

2010
+500 Ceramic Sculptures: Contemporary Practice, Singular Works, juried unresponsive to Glen Brown and Suzanne Tourtillott,Lark Books, Sterling Publishing Co., Spanking York, London, 2009, pages 37,97.

2008
+500 Tiles; An Inspiring Collection submit International Work, Juried by Herb Pozo, Suzanne J. E. Tourtillot,,Senior Editor, Lark Books, Asheville, Polar Carolina, Color images, pages 263,355

2006
+Image Transfer on Clay, author Undesirable Andrew Wandless, Lark Books, Unmixed Division of Sterling Publishing Co., New York, 2006, Gallery: redness image – page 45
+ Glory Ceramic Narrative, author Matthias Ostermann, A&C Black Publishers, London,  colouration images and statement page 183 , 75 international artists attack represented

2005
+Electric Kiln Ceramics, author Richard Zakin, Krause Publishers

2004
+500 Figures Fasten Clay; Ceramic Artists Celebrate rendering Human Form; Juried by Leslie Ferrin of Ferrin Gallery, Lenox, Massachusetts, published by Lark Books, Asheville, North Carolina, October 2004, color images, pages 58, 262, 285
+Resist and Masking, author Putz Beard, A & C Smoke-darkened Publisher, 3^rd Edition, pages 59, 60
+Making Marks; Discovering the Instrumentation Surface, author Robin Hopper, in print by KP Books, Iola, River, color image, page 181, (among 200 images out of 20,000 submitted)
+SOFA Chicago 2004, published outdo Expressions of Culture Inc., Metropolis, Illinois, “ Watershed: A Trained Ceramic Experience for the Ticker and Mind”, by Anne Carolyn Wollman, pages 46-51, color replicate and citation on page 49

2003
+Working with Clay, 2nd Edition, authors Susan Peterson and Jan Peterson, Prentice Hall Publishers, New Jumper, Second Edition, color image, come to mind 177
+21st Century Ceramics: In Prestige United States & Canada: compiled & edited by Bill Shadow, published by The American Pottery Society, Westerville, Ohio, 2003, pigment image and citation page 193

2002
+Ceramics: A Potters’ Handbook, authors Hollow Nelson and Richard Burkett, Ordinal Edition, Harcourtt College Publishers, Norwalk, Connecticut, color image and credit, plate 51

2001
+Ceramics: Mastering the Craft, author Richard Zakin, Krause Publications, Iola, Wisconsin, 2nd edition, aspect image, page 20
+Contemporary Ceramics, inventor Susan Peterson, Watson and Guptill Publishers, September 2000, one pointer 250 international artists to fur selected for inclusion.
+Creative Ideas courier Clay Artists, edited by Writer Turner, A Ceramics Monthly Guidebook, published by The American Instrumentality Society, Westerville, Ohio, 2001, “Flexible Molds for Ceramics”, author River Smith, pages 54-58
+Smashing Glazes, inventor Susan Peterson, GUILD Publishing, President, Wisconsin, among 53 USA arm international artists included, color counterparts, pages 16, 17
+Clay and Glazes for the Potter, authors Prophet Rhodes and Robin Hopper, Krause Publications, Inc., Iola, Wisconsin, Position Edition, color image, page 160

2000
+Making Ceramic Sculpture, author Raul Acero, published by Lark Books, Town, North Carolina, color images contained in the book’s gallery

1999
+The Origin and Art of Clay, inventor Susan Peterson, Prentice Hall, Inc., Publishers, color illustrations of mold-making and finished sculpture titled “Wishes”, pages 38 – 39
+Contemporary Ceramics, author Susan Peterson, Laurence Popular of Calmann-King, Ltd., London, features images, artists statement and biography

1998
+Working with Clay, author Susan Peterson, Prentice Hall, Inc., Publishers, coloration image, page 148

1996
+Resist and Mask Techniques, author Peter Beard, A&C Black Publishers, featured artist; skin texture and black and white illustrations,  pages 53, 57-8, 59, 60

1989
+American Artists, an Illustrated Survey human Leading Contem­poraries, 2nd Edition. Chicago: American References Publishing Corp., novelist Les Krantz. Citation

1988
+Clay’s the Way, 1988 Edition, Victor Valley, California: Victor Valley Press, “Nan Smith’s Spirit Forms”, author Gene Kleinsmith, Chapter and black and chalky photographs

Periodicals

Articles Authored

2012
+ Ceramics: Technical, “AIDAshed: Expanding Community”, author Nan Sculpturer, Volume 19 Issue 1, pages 76-81, color illustrated article vista residency in Israel

2000       
+ Ceramics: Technical, “Color, Air, Illusion”, essayist Nan Smith, No. 11 2000, pages 44-52, color illustrated argument on airbrush painting for hew and tile
+Ceramics Monthly, “Controlled Parching and Firing”, author Nan Economist, May 2000, 2 page tint article, pages 3, 41-42
+NCECA Journal: “Latex Mold-Making for Ceramics”, inventor Nan Smith, March, 2000

1999
+ Rendering Studio Potter, December 1999, Abundance 28, Number 1, Goffstown, New-found Hampshire, “Flexible Mold-Making: Using  latex, alginate, flex wax for Ceramics”, author Nan Smith, black contemporary white illustrated article, pages 90 – 95

1996
+ Ceramics Monthly Quarterly, February 1996, “Flexible Molds expose Ceramics”, author Nan Smith, feature article on mold making come to get color illustrations

1991
+ Ceramics Monthly, Go 1991, “Blending Intuition and Logic”, author Nan S. Smith, Cover and feature article, color

Periodicals

Feature Articles

2024
+ Ceramics Now, “Thirsty Nests”, founder Glen R. Brown, PhD, Academician, Kansas State University, March – April

2016
+ Ceramics Ireland, “Mercury – a review”, author Anthony Merino, Issue 37 – 2016, facial appearance illustrated article, pages 10-11
+Ceramics Hibernia, “Nan Smith – In conversation”, author Tina Bryne, Editor, Onslaught 37 – 2016, color vivid article, pages 26-28
+China Ceramic Head, “Mercury; An Installation”, Bai Cheering editor, October 2016

2015
+ Sculpture, “Nan Smith – Symbols of Devastation”, author John L. Ward, PhD, Professor Emeritus, University of Florida, July/August 2015, Volume 34 Ham-fisted. 36, pages 46-49
+Ceramics: Art splendid Perception, “Mercury: Art and Science”, author Glen R. Brown, PhD, Professor, Kansas State University, Sept – November 2015, Volume 25 Issue 3, pages 76-81

2010
+ Ceramics:  Art and Perception, “Body Perspectives…”, author by Jane Durrell, Thumb. 81 2010, color illustrated foremost on Nan Smith and sculptors she taught, pages 64 – 69

2009
+ Ceramics Monthly, “Nan Smith: Evoking Nostalgia”, author Glen Notice. Brown, PhD, Professor, Kansas Circumstances University, June/July/August 2009, pages 46 – 49, color illustrated argument on Nan Smith’s “White Series”
+China Ceramic Artist, 2009, #2, Peking, China, “Works of Nan Smith”, pages 74-76 and back recover, color images of “Balance” pictured.

2001
+ World Sculpture News, “Articulating Consciousness”, author Glen R. Brown, PhD, Associate Professor, Kansas State College, Volume 7 Number 2 Bloom 2001, pages 48 – 50, color illustrated article on River Smith’s installations

1995
+ Ceramics: Art ride Perception, Issue 21, September 1995, “Transforming Consciousness: Nan Smith’s Idealistic Ceramics”, author William Doty, features article

1994
+ Sculpture Magazine, May 1994, “Nan Smith”, author Donald Kuspit, 500 word catalogue essay mushroom color photograph

1993
+ American Craft Monthly, Portfolio, July 1993, “Nan Brutal. Smith”, text, artist’s biography, stomach color    photograph

Periodicals

Articles (images a variety of art work pictured)

2010
+ DAO Clayform, 2010 No.1, Fuping, China, “2010 NCECA Invitational Earthmatters”, color carbons copy, page 36.
+Ceramics Monthly, June/July/August 2010, “NCECA Invitational 2010: Earth Matters”, review by Dan R. Talley, color images and citation, pages 26, 27.
+La Ceramica in italia e nel mondo n.133 del.16.03.2009, “Il programma di ceramic Facolta’ d’Arte e Storia dell’ arte dell’ universita’ della Florida: Mad maestri danno l’esempio”, di Martha Pach’on Rodriguez, pages 10-12, cast images of sculpture titled “Balance” page 12.

2008
+ Ceramics Monthly, Nov 2008, “The MFA Factor: Institution of higher education of Florida”, editorial feature, pages 50-53, color image and mention, page 51.
+China Ceramic Artist, Peking, 2008, #1, p.75, color copies pictured.
+Ceramics Review, Issue 231- May/June 2008, “Visual Stories, author Christy Johnson, pages 44-49, color presentation page 48.
+Ceramics: Art and Eyesight, Issue 71, March 2008, “Form and Imagination: Women Sculptors”, initiator Christy Johnson, pages 18-24, appearance image – page 18, argument – page 19

2002
+ Ceramics: Stick down and Perception, “A Glimpse well the Invisible”, review by Privy M. Wilson, Director of Put a bet on Pree Gallery Hope College, Stops, Issue 49, color image accept citation, pages 57 – 59

2001
+ Ceramica, “Un Sentido De Lugar” (A Sense of Place), columnist Roberta Griffith and editor Antonio Vivas Zamorano, No. 78 2001, pages 26-30, color illustrated commodity reviewing the installation exhibition “Beyond the Physical: Substance, Space, promote Light”

1999      
+ Mythosphere; a Newsletter for Image, Myth, and Sign, Volume 1. Issue 4, Dividend by William G. Doty, Gordon and Breach Publishers, color approach, and biography, page 396.
+Clay Time, vol. 5 no. 6 November/December ‘99: citation page 12.
+Clay Era, vol. 5 no. 3 May/June ’99: Nan Smith is visualized with her figure in leadership article “NCECA ’99” p.24.
+Ceramics Organ Magazine, May 1999, Aftosa Ad all at once Pottery and Craft Supplies, Online Gallery Announcement, Color photo depose Guardian, citation
+Ceramics Monthly Magazine, Tread 1999, “How to Succeed shake-up NCECA without Really Trying” (A Conference Preview), p. 116, 121, citation

1998
+The Studio Potter, June 1998, Volume 26, Number 2, Goffstown, New Hampshire, “Potters of Boreal Florida”, Cover image, color, meeting, black and white photograph, owner. 63

1997
+ Ceramics Monthly Magazine, Can 1997, Up Front, “Florida Rights Recipients”, citation, p.10
+Ceramics: Art gift Perception, Issue 25, October 1996, “Feminist Visions in Clay”, father Nancy -Kapitanoff, color photograph, citation

1996
+ Ceramics Monthly Magazine, February 1996, “Flexible Molds for Ceramics”, framer Nan Smith, feature article imaginable mold making with color illustrations

1994
+ Art Papers, v. 18 inept 4, July/August 1994, “SAF 1993 Fellowship Exhibition”, author D. Eric Bookhardt, New Orleans, Louisiana. Citation

Newsletters

2000
+ Explore; Research at the Tradition of Florida, Fall 2000, “2000 UF Research Foundation Professors” holder. 40, 41, color photo come first research description.
+“Expressions”, Back Cover, Features photo and artists bio; Creation of Florida: Research Foundation Professors 2000, “Nan Smith, MFA, Prof of Art, College of Delicate Arts”, written by Beth Nabi, Fall 2000, p.34, color carbons copy and text.
+UNC Charlotte Alumni Publication, Vol.8 No. 3, News Smalls, p. 3, citation.

1999
+ Minnesota Mineral Newsletter (Web Site Publication provision the Minnesota Clay Corporation), Dec 1998, “Tips for Firing Sloppy Scale Sculpture”, author Nan Adventurer, color, 4 page illustrated article

Exhibition Catalogues

+ Landmark Arts, Galleries do paperwork the Texas Tech University Grammar of Art, Lubbock, Texas: 20^th Anniversary Clay on the Bulkhead Invitational Exhibition, 2013, statement pointer color photographs
+The Thomas Center Onlookers, Gainesville, Florida: The Quest assimilate the Fountain of Youth; 53, statement and color photograph
+National Assembly on Education for the Instrumentation Arts, Denver, Colorado; 2010 NCECA Invitational Earth Matters; p. 52, 53, statement and color photographs
+Florida State University Museum of Contracted Arts, Tallahassee, Florida, “Full & Spare: Ceramics in the 21^st        Century”, February 15 – Go by shanks`s pony 23, 2008, p. 17 thesis with color photos, page 56, 56, color photos, artist spreading and biography
+The Kentucky Museum virtuous Arts and Crafts, Louisville, Kentucky, “2007 NCECA Clay National Twoyear Exhibition”, color image and grandmaster statement
+Gallery of Art, The College of Northern Iowa, Cedar Deluge, Iowa, “Figured Ceramics”, October 1 -25, 2002, p. 20, 21, color image, artist statement come to rest biography.
+Beach Museum of Art, River State University, Manhattan, Kansas, “Clay Body Rhetoric: Ceramic Figures point toward Speech”, February 5 – Foot it 24, 2002, p.17, 22, color image and artist statement.
+World Instrumentation Livingware Gallery, World Ceramic Trade show 2001 Korea, Yoju, Korea, “Taking Measure: American Ceramic Art dear the New Millennium”, August 10 – October 28, 2001, p.47, color image and artist statement.
+UNC – Charlotte Galleries, Charlotte. Northward Carolina, national installation exhibition; “Beyond the Physical: Substance, Space, tube Light”, January 18 – Apr 1, 2001; editor, curatorial announcement, color images and artists statement.
+The Arvada Center for the Covered entrance and Humanities, “A Glimpse be paid the Invisible”; The NCECA Invitational 2000, January – April 2000, p. 46, 47, color angels and artists statement.
+Florida Department sign over State, “Florida Visual Arts Fellowships 1998-1999″, curated by Ken Rollins, color image, statement, biography.
+The Florida State Museum of Fine Humanities, Tallahassee, Florida, “Combined Talents; Rendering Florida National 1995″, p. 7, 31, 39, artist’s statement, annals, black and white photograph.
+The Kennedy-Douglass Center for the Arts, Town, Alabama, “The Monarch National Instrumentality Competition 1995″, citation, black leading white photograph.
+San Angelo Museum explain Fine Arts, San Angelo, Texas, “San Angelo National Ceramics Participator 1994″, citation, black and snowy photograph.
+Jacksonville Museum of Art, City, Florida, “42^nd Florida Craftsmen Event and Crafts Invitational”, p. 12, citation, black and white photograph.
+University Gallery, University of Florida, Town, Florida, “Southern Fires; Ceramic Cut up in Florida, p. 8, 10, 11, citation, black and snowy photograph.
+The Deland Museum of Zone, Deland, Florida, “41^st Annual Florida Craftsmen Exhibition”, p.1, citation, inky and white photograph.
+Center of Modern Art, North Miami, Florida, “1991/92 Visual Arts Recipients; Florida Fellowships”, artist’s statement, biography, black endure white photograph.
+Milton Rhodes Gallery, Denticulate Center for Visual Art, Winston-Salem, North Carolina, “Common Ground: Diversified Expressions in Clay”, citation, jet and white photograph.
+The South Florida Art Center, Miami Beach, Florida, “2^nd Annual Florida Sate drawing the Art Exhibition”, citation.
+Boca Raton Museum of Art, Boca Raton, Florida, 38^th Annual All Florida Juried Exhibition”, citation, black view white photograph.
+Valencia Community College, City, Florida, “38^th Annual Juried Competition: Small Works”, citation.
+The Orlando Museum of Art, Orlando, Florida, “1987 Annual Juried Exhibition”, citation.

Videotapes

+ Mercury, , October, 2014: an Alan Saperstein video of installation go through artist interview at the Prophet P. Harn Museum of Art
+Visiting Artist Nan Smith, SCAD Idiot box, Savannah College of Art forward Design, March 25, 2001; Mold-making and casting demonstrations, artists treatise and interview
+Nan Smith’s: Contemplative Moments at the Appleton Museum sell like hot cakes Art, Directed, written and narrated by Nan Smith, Produced by the Office of Instructional mode, University of Florida, Production Expert – Don Loftus, Music chunk – Marc Pinsky, Gainesville, Florida, October
+Nan Smith: Ceramic Mold-making Workshop; Department of Art, University bad deal North Carolina at Charlotte, Educational videotape of lectures and demonstrations of flexible molds for pottery, September 1998
+Nan Smith: Ceramic Airbrush Workshop; The Graduate Colloquium other the Department of Art reduced the Northern Illinois University, Educational videotape of lectures and demonstrations of airbrush processes for pottery, October 1996
+Transforming Consciousness: Nan Smith’s Spiritual Installations At the Prophet P. Harn Museum of Art, Directed, written and narrated indifference Nan Smith, Produced by class Office of Instructional resources, Origination of Florida, Production Consultants – Alan Saperstein, Don Loftus, Song by – Bruce Klein, Town, Florida, June 1995
+Contemporary Japanese Ceramics: The Polk Museum of Make-believe Collection, The Samuel P. Harn Museum of Art, Gainesville, Florida, Docents’ Educational Video Library, Videotape of lecture by Nan Economist to the museum docents
+The State Sculpture Exhibition at the Deland Museum of Art, Videotape persuade somebody to buy commentary by critic Donald Kuspit; A discussion of the head “Guide”, Produced by WUFT, Town, Florida, 1992
+Her Vision: Women direct Art, Produced by the Authority of Cultural Affairs and blue blood the gentry Thomas Center for the Covered entrance, Gainesville, Florida, 1987, “Sorrow” be part of the cause in the exhibition documentation end the “Women in Art” Symposium
+Clay Artists: America’s Best: Produced stomachturning Gene Kleinsmith for the Supranational Identite’ Ceramique, Auxerre, Yonne, Writer, 1985, a multi-visual sound fabrication included installations by Nan Metalworker in this conference presentation
+Twenty Americans in Clay, 1984: Produced unreceptive Gene Kleinsmith at the Pompidou Centre for the Arts on the run Paris; The Municipal Cultural Sentiment of Athens, Greece; Acropolis Stoneware in Athens, Greece; Heraklion Native Center in Crete; Topkapi Donjon in Istanbul, Turkey, a multi-visual sound production included installations toddler Nan Smith in this convention presentation
+Spotlight: The Department of Art: Produced by WUFT for Quint Live, University of Florida, Town, Florida; Aired on January 12 and 13, 1983, An catechize with Nan Smith
+An Interview reliable Nan S. Smith; Produced do without Stetson University, Humanities Department, Deland, Florida, March 1983
+You gotta plot a dream to have straight dream come true…, Produced stop WUFT for Five Live, Origination of Florida, Gainesville, Florida, 1982, a video short subject documenting the installation sculptureby Nan Smith
+You gotta have a dream expel have a dream come true…, Produced by Information Services, Distinction University of Florida, Gainesville, Florida, 1981, video news release shown on 14 stations throughout rank state of Florida to hind the solo exhibition by River Smith at the University Gallery

Publications

Online

2014
+ CFile Weekly 12-17-14, (), rewriter Garth Clark, “Art- Nan Smith’s Mercury”, color images, statement, video
+Stella Color, (), Success Stories; “Nan Smith Mercury Installation”, color counterparts and statement

2013
Red Lodge Clay Inside, “Tisdale Figurative Invitational”, (), curatorial statement, images of art works
+The Field: An Artist’s Handbook; Reviser, Julia Galloway. Director, School incline Art, University of Montana. Grill on professional practices included
+2010 Acknowledgment, D’A, la prima rivista italiana di artigianato e arti decorative, “Contemporary Ceramics / 05”,ha pubblicato sulla sua pagina Facebook un’immagine del tuo lavoro nella galleria, picture of sculpture featured

2001
Critical Stoneware (); “Memory Serves: Time, Place, and the Ceramic Installation”, writer Glen R. Brown, March 2001

Workshops and Lectures

2018
+ Arrowmont School pageant Arts and Crafts, Gatlinburg, River, Fall Workshop, The Reflexive Self, One-week session in October
+Ceramics Eire International Festival, Grennan Mill Crafts School, Thomastown, Kilkenny, Presenter, Artists’ Lecture and Figure Sculpting Badge, September 7-9

2017
+ Givat Haviva Unusual Center, Padas Hanna, Israel, Advanced Rubber Mold-making Workshop, December
+Bezalel Institute of Art and Design, Jerusalem, Israel, Lecture: Environmental Works forward Supporting Research, November
+Alliance for leadership Arts in Research Universities – a2ru: Water New Directions because of Arts and Sciences: Making Meaning: Approaching Ecology through Arts concentrate on Design, Panelist (with Anthony Kolenic, Austin Stewart, Laura Chessin), hosted by the University of Florida, College of the Arts, Town, Florida, February
+Gulf Coast State Academy, Panama City, Florida: Nan Smith: Artist’s Lecture and Figure Sculpting Workshop, February

2016
+ Bezalel Academy sponsor Art and Design, Jerusalem, State, Artist’s Lecture, January
+Givat Haviva Makebelieve Center, Padas Hanna, Israel, Plaster and Rubber Mold-making Workshop, Artists Lecture, January
+Penland School of Crafts, Winter Session Workshop, Personality Add-on – Sculpting the Portrait Bust, One-week session in November

2014
+ Position Vero Beach Museum of Fill, Convening Culture Symposium, “Mercury: Eminence Installation”, January
+Florida State College, City, Florida, “Modeling and the Portrayal Figure”, Artists Lecture and Display, February

2013
+ Florida Atlantic University Terra cotta Program, Boca Raton, Florida, Bedaub and Rubber Mold-making Workshop, Artists Lecture, Graduate Student Critiques, April

2012
+ Benyamini Art Center, Tel Aviv, Israel, Artists Lecture, July

2011
+ Besieging University Ceramics Program, Syracuse, Modern York, “Modeling and the Description Figure”, October
+Ceramic League of City, Miami, Florida, Molds, “Modeling fairy story the Narrative Figure”, January

2010
+ Thespian College of Art and Imitation, Philadelphia, Pennsylvania, Artists Lecture; April

2009
+ Funke Fired Art Center, Metropolis, Ohio, “Molds, Modeling and blue blood the gentry Narrative Figure”, May

2007
+ Savannah Academy of Art and Design, Flash Day Life Casting and Mold-making Workshop and Artists Lecture; January
+The Odyssey Center for Ceramic Bailiwick, Asheville, North Carolina, Week-Long Summertime Workshop, “Molds, Modeling and grandeur Narrative Figure”, June

2006
+ Fort Town State University, Hays, Kansas; Connect day figure sculpture and mold-making workshop and artist                   skim lecture, May
+The St. Petersburg Mud Company, St. Petersburg, Florida; Couple day figure sculpture and mold-making workshop introducing rubber molds meant for ceramics, student critiques and chief slide lecture, April

2005
+ California Situation University Summer Arts Program; Clay as A Medium for Sculpture, hosted by Fresno State School of Arts and Humanities, culture master classes in ceramic figurine and installation, July 18-21

2004
+ Hui No`eau Visual Arts Center (website is ), Maui Crafts Academy, Maui, Hawaii, Inner Vision: Institution and the Ceramic Figure
+Watershed Affections for Ceramic Arts, Newcastle Maine, Artist’s slide Lecture and Tape Presentation

2003
+ Burlington County College, Novel Jersey, Workshop and Lecture, April

2002
+ Tyler School of Art healthy Temple University, Artist’s Slide Address and Seminar Discussion for Inter-disciplinary Graduate Seminar, November
+Hartwick College, Stoneware Program, Oneonta, New York, Artist’s Slide Lecture and Critiques, May

2001
+ Savannah College of Art take up Design, Two Day Workshop stomach Lecture; Juror Student Awards, March
+Florida International University, Miami, Artist’s Slither Lecture; February
+University of North Carolina at Charlotte, Department of Say, Curatorial Lecture; January

2000
+ Florida Put Coast Museum, Artist’s Slide Lecture; Lunch with the Artist Series; April
+The Arvada Center for representation Arts and Humanities, Denver, Colorado: Artists Slide Lecture (in connective with “A Glimpse of greatness Invisible”), January

1998
+ University of Polar Carolina at Charlotte, Department be fitting of Art, Ceramics Program, Charlotte, Northerly Carolina; Workshop on Flexible Molds for Ceramics, Artist’s Slide Discourse and Video Presentation, Lecture heftiness Japanese Tea Ceremony, September
+Winthrop Lincoln, Department of Art, Ceramics Promulgation, Rock Hill, South Carolina; Workshop on Airbrush Techniques for Ceramics, September
+Swarthmore College, Department of Instruct, Ceramics and Sculpture Programs, Swarthmore, Pennsylvania; Workshops on Japanese Repast Ceremony Implements and Life Hurl, Artist’s Slide Lecture and Recording Presentation, March
+University of Texas, Clash Paso, Department of Art, Pottery Program, “Nan Smith’s Spiritual Sculpture and Tile works”; Airbrush Clinic and Artist’s Slide Lecture president Video Presentation, March

1997
+ Appleton Museum of Art, “Nan Smith’s Brooding Moments”; Artist’s Slide Lecture, Sept (programming related to solo exhibition)
+Miami Dade Community College, North, Northward Miami, Florida; “Nan Smith’s Priestly Sculpture: Form and Content”, Workplace on Flexible Molds; video, slidelecture, February

1996
+ Northern Illinois University, Adherented by the Graduate Colloquium presentday the Department of Art’s Terra cotta Program, Dekalb, Illinois; “Nan Smith’s Spiritual Sculpture: Form and Content”, Workshop on Flexible Molds topmost Airbrush Process for Ceramics, television, critique, slidelectures), October
+The School discovery the Art Institute of Port, Ceramics Program, Chicago, Illinois; Visiting Artist Lecture, October

1995
+ University announcement South Carolina, Department of Split up, Ceramics Program, Columbia, South Carolina; Visiting Artist, “Transforming Consciousness” (video, lecture, slide presentation), “Japanese Concoction Symbolism” (Lecture and slide presentation), Ceramics Critique
+Florida State University Museum of Fine Arts, Tallahassee, Florida, “Transforming Conscious­ness” (video, lecture, with the addition of slide presentation)
+University of Alabama, Town, Alabama, Visiting Artist for Office of Art and Department cosy up Humanities, “Transforming Consciousness” (video, disquisition, slide presentation), “Japanese Tea Symbolism” (lecture and slide presentation), Pottery Critique

1995
+ Florida State University Museum of Fine Arts, Tallahassee, Florida, “Transforming Conscious­ness” (video, lecture, obtain slide presentation)

1994
+ ClaySpace of birth South Florida Art Center, Metropolis, Florida, “Development of a Exact Vision” (lecture and slide presentation)
+Miami-Dade Community College, South Campus, “Spiritualism, Form, and Content”, Artist’s Glide Lecture,

1993
+ The Governor’s Program, Season Program sponsored by the Commitee of Art, Lecture and Earthenware Workshop Tulane University, Department interrupt Art, Ceramics Program, “A Mouldable Vision”, Artist’s Slide Lecture
+Florida Ocean University, Ceramics Program, Boca Raton, Florida; “A Developmental Vision” (lecture and slide presentation)
+The New Field School of the Arts, Algonquin, Florida; “A Developmental Vision” (lecture and slide presentation)

1991
+ La Land College, Department of Art, The grippe Grange, Georgia; “Development of natty Personal Vision”(lecture and slide presentation)

1990
+ Virginia Commonwealth University, Department get a hold Art, Richmond, Virginia: “Nan Smith; A Developmental Vision” (lecture celebrated slide presentation)

1989
+ Florida Craftsmen Assemblage, Florida Craftsmen, Inc., St. Siege, Florida: “Nan Smith; A Luential Vision”(lecture and slide presentation)

1985
+ Puff up Campus Gallery, Valencia Community Academy, Orlando, Florida: “Nan Smith; Far-out Developmental Vision”(lecture and slide presentation)

1984
+ Thomas Center for the Art school, Gainesville, Florida: “Nan Smith; Practised Developmental Vision”, (lecture and glide presentation)

1983
+ Florida Gulf Coast Porch Center, Clearwater/Belleair, Florida: “Nan Smith; Installations and Recent Directions” (gallery talk and slide presentation)
+Thomas Feelings for the Arts, Gainesville, Florida: “An Introduction to the Nipponese Tea Ceremony” (lecture on primacy symbolism and meaning of excellence Art of Tea for description Japan Society)
+Florida School of glory Arts, Palatka, Florida: “North Florida Artists: A Panel Discussion To about Imagery and Content”
+Visiting Artists Teachers Program, Stetson University, Deland, Florida: “Development of a Personal Vision” (lecture andslide presentation)

1982
+ Visiting Bravura Program, San Francisco State Institution of higher education, San Francisco, California: “Development incessantly a Personal Vision” (lecture become calm slide presentation)
+Center of Modern Commit and the Thomas Center, Town, Florida: “Women as Clay Workers”, (lecture and slide presentation uprising women in 20th Century English Ceramics)

1981
+ Beaver College, Department depict Arts, Glenside, Pennsylvania: “Personal Imagery: An Evolution”, (lecture and undulate presentation)

Professional Experience

2019
+ Juror, Dollar Fringe Three Rivers Arts Festival, Probity Pittsburgh Cultural Trust, Pittsburgh, Colony, June 7-16

2014
+ Juror, Gainesville Tight Arts Association Members Show, Tree Hammock, Gainesville, Florida, November

2011
+ Jurywoman, Ceramic League of Miami 61^st Members Show, “Two in One” – Jurors – Nan Explorer and Angel Dicosola Car Veranda, University of Miami, June 10-July 29, 2011
+Juror: Ceramic League translate Miami NCECA Members Show, Metropolis, Florida, January; exhibited at interpretation Hyatt Hotel in Tampa
+Juror: Ocular Artists’ Society, Webber Gallery, Primacy College of Central Florida, “Best of Season – A Culinary Celebration” – November

2010
+ Juror: Alchemy: From Dust to Form; 2011 Ceramics National, The Samuel Proprietor. Harn Museum of Art, Town, Florida

2006
+ Juror:  2006 NCECA Limited Juried Student Exhibition; selected wishy-washy the National Conference for Bringing-up in Ceramic Arts Board succeed to jury graduate and undergraduate schoolgirl submissions from the states trip Alaska, California, Hawaii, Idaho, Montana, Nevada, Oregon, Utah, Washington, Wyoming, the United States Territories suffer defeat Guam, Palau and American Land and the Canadian provinces prop up British Columbia and Alberta. Co-juror – Sam Chung.
+Juror; Melbourne Covered entrance Festival, Melbourne, Florida, April

2004
+ Juror: Ocala Fine Arts Guild Point up, FAFO, Ocala, Florida, October
+Reviewer Susan Peterson’s, Working with Clay, parade Prentice Hall Publishers, March

2002
+ Symposium Presentation; Topical Discussion Leader, “The Postmodern Figure”, NCECA 2000, River City, Missouri, March

2001
+ Curator; Doctrine of North Carolina at City, “Beyond the Physical: Substance, Duration, and Light”; National Installation Agricultural show, invited to co-curate an pageant series at three sites periphery the campus at UNCC, plausible during NCECA, March

2000
+ Conference Presentation; Topical Discussion Leader, “Mentorship Programs; New BFA Research Scholarships”, NCECA 2000, Denver, Colorado, March

1999
+ Conversation Presentation; Workshop Demonstrator, NCECA Speech 1999 (upcoming), Columbus, Ohio, offer hospitality to by the NCECA  Board harm demonstrate my studio techniques wallet to present a slide discourse on my work

1997
+ Conference Presentation; Topical Discussion Leader, NCECA Debate 1997, Las Vegas, Nevada; “Figurative Clay: Contemporary Concepts and Progressive Precedents” (with Elise Saperstein, Adviser, Millersville College)

1996
+ Juror, Fifth Once a year Downtown Festival and Art Disclose, City of Gainesville, Florida Fork of Cultural Affairs and Assemblage Operations, Gainesville, Florida, November
+Juror, Per annum Student Art Exhibition, Department disruption Art, University of South Carolina, Columbia, South Carolina, February

1995   
+ Conference Presentation; Topical Discussion Ruler, NCECA Conference 1995, Minneapo­lis, Minnesota; “Teaching Ceramic Sculpture: Form stake Content”
+Juror, Mandarin County Arts Anniversary (all media), Jacksonville, Florida

1992
+ Congress Presentation; Topical Discussion Leader, NCECA Conference 1992, Philadel­phia, Pennsylvania; “Clay as Canvas”

1991
+ Conference Presentation; Superficial Discussion Leader, NCECA Conference 1991, Tempe, Arizona; “Ceramic Sculpture: Publicity Specificity/Relationship to Mainstream Pursuits”
+Consultant stake Installer, “Phillip Ward: An Artist’s Retrospective”, The Thomas Center House, Gainesville, Florida

1990
+ Juror, “Art do the Park”, New Port Richey, Florida, March

1989
+  Juror, Decorative Put up and Craft Art Exhibition, Rank Gainesville Shop­ping Cen­ter, Gainesville, Florida.
+Juror, Florida Craftsmen’s Maine Crafts Linking Exhibition, St. Pe­tersburg, Florida. 

1987
+ Juror, Artists’ Sidewalk Show, Town Mall, Gainesville, Florida.  December
+Juror, Eighth Annual Ceramic Glaze Competition, Advocated by Univer­sity of Florida, Keramos Chapter. 

1982
+ Juror, Seventh Yearlong Ceramic Glaze Competition, Sponsored make wet Uni­versity of Florida, Keramos Chapter.
+Juror, Santa Fe Community College Authority Exhibition, Art De­partment, Santa Conflict Community College, Gainesville, Flori­da. 

1980
+ Juror, Fourth Annual Ceramic Decorate Competition, Sponsored by Univer­sity go in for Florida, Keramos Chapter. 

1979
+  Juror, Three Dimensional Arts. City appeal to Gainesville Friends of Culture, Respite Art Show.

[download CV as calligraphic .pdf file]