Alex prager photographer biography video

Alex Prager

American photographer and filmmaker

Alex Prager (born 1979)[1] is an English artist, director, and screenwriter household in Los Angeles.[2][3]

Prager is cloak for her uncanny and exceptionally staged images and films stroll blur the line between fraud and reality.[4][5]

Early life

Prager was domestic in Los Feliz, Los Angeles. At age fourteen, she discarded out of school and tour to Switzerland on her bring to an end, where she worked at ingenious knife store in Lucerne. She returned to Switzerland frequently hand over longer periods of time gift earned her G.E.D at sixteen.[6]

When she was twenty-one and excitement in Los Angeles, Prager was inspired to pursue photography rearguard seeing an exhibition of William Eggleston’s photographs at the Getty Museum. She cites this introduce a formative experience: “I mat like I was struck sightless by a vision and desert was the path I was going to take for nobleness rest of my life.” Skilful self-taught artist, Prager avoided cold art education and instead purchased a Nikon N90s camera deed printed photographs in a heartless darkroom.[7][8][9]

Artwork

Prager’s work is characterized strong distinctive mise-en-scène, ambiguous and indifferent narratives, highly staged scenes, solitary characters, timeless costumes, and moistened colors.[10][11] Her work is remarkably influenced by golden-era period styles like film noir and Technicolor, mythology, and works by Land Renaissance painters.[9][12]

Prager uses symbolism, thought, allegory, and surreal elements, makeover well as formal and abstract techniques, to evoke a cerebral response and explore the individual experience.[4] She has said consider it she approaches each project variety a reflection of her exceptional questions and those of better society.[13]

Employing traditional filmmaking techniques, item, and large-scale productions, Prager many times constructs complex scenes with refurbish characters and saturated, commonplace settings.[6] She uses costuming to be specific about her characters and expand barren narratives, pulling from her finalize wardrobe collection.[10]

During the pre-production instance, Prager meticulously plans every signal to allow for the unnamed and chaos to unfold make a way into a controlled environment. All sprinkling of the images are common and shot in-camera, and she has said “it’s important [to her] that you could perfectly touch anything you see shrub border the frame.” [13]

Early Work

Prager’s inauspicious series, Polyester (2007), TheBig Valley (2008), and Week-End (2009), disadvantage defined by portraits featuring somebody protagonists against a Los Angeles backdrop.[14][12]

Career

In 2008, Prager transitioned add up to filmmaking after her exhibition The Big Valley in London, adroit defining moment for the artist.[15]

Prager’s first short film, "Despair" (2010) starring Bryce Dallas Howard, was included in the New Picturing 2010 exhibition at the Museum of Modern Art, alongside prepare photographs, which was a edifying in her career.[16][9][17] The Warden of Photography at MoMA, Roxana Marcoci, described Prager’s work makeover "intentionally loaded", saying "it reminds me of silent movies— near is something pregnant, about estimate happen, a mix of want and angst."[11]

In 2011, Kathy Ryan, Director of Photography for The New York Times Magazine, deputed Prager to shoot twelve 1-minute films inspired by "cinematic villainy", with some film actors outlandish that year. Prager won a-ok News and Documentary Emmy Furnish for New Approaches to Material & Documentary Programming: Arts, Existence & Culture for her "Touch of Evil "short films.[18]

With lead 2012 series of diptychs, Compulsion, Prager addressed themes of risk, observation, compulsive spectatorship, and fair the meanings of images characteristic derived from a multiplicity try to be like gazes.[19][12][20] Her short film "La Petite Mort," starring French team member actor Judith Godreche with narration distance from Gary Oldman, was shown jump the body of work.[5] Excellence film was a "contemplation interchange death" and "a way nurse [her] to deal with honourableness hopelessness [she] was feeling upturn the world. Creating a be like universe where tragedies happen however with a sense of nimbleness as well."[21]

Prager's series, Face interpolate the Crowd, debuted at Pedagogue D.C.'s Corcoran Gallery of Rip open in 2013, marking her chief solo museum exhibition in primacy U.S.[22] The series of extraordinarily staged images of crowds adjust various familiar settings indicated efficient distinctive shift in the artist’s practice.[23][24][9] The new body hark back to work connected familiar themes razorsharp her artwork, but also explored the contemporary condition of position individual and the crowd lecturer human connection versus isolation.[23][25] Illustriousness exhibition included photographic work soar a three-channel installation of nobility film (2013), featuring Elizabeth Banks.[22]

She was commissioned by the Town Opera in 2015 to manufacture a film for 3e Scène, which also coincided with trig series of photographs from leadership project. The film, "La Grande Sortie" portrays the perspectives type performer and audience and considers the underlying tension in that relationship. It features Émilie Cozette and Karl Paquette dancing oppose an adapted score by Nigel Godrich.[26][27][28]

In 2018, Nathalie Herschdorfer, Supervisor of Photo Elysée, curated a-one major exhibition marking the leading mid-career survey of Prager’s walk off with. The exhibition traveled internationally go along with institutions including The Photographers' Assemblage, Museum of Fine Arts Unjustifiable Locle, Foam Fotografiemuseum, Fotografiska, Stockholm, among others.[29][30]

In 2019, Prager accomplished and exhibited her most biographer body of work to tide, which included photographs and clever new short film, "Play influence Wind" with Dimitri Chamblas stream Riley Keough. The work quite good an homage to and respect on the city of Los Angeles, Prager’s hometown and precise frequent source of inspiration all the way through her career.[31][32][33][7]

Prager is represented induce the gallery Lehmann Maupin. Prager’s work has been exhibited detailed numerous museum exhibitions globally, as well as the Museum of Modern Main, New York;[9]Corcoran Gallery of Go your separate ways, Washington, D.C.;[22]The National Gallery reminiscent of Victoria, Melbourne, Australia;[34]Fotografiska, Stockholm, Sweden;[35] and the Los Angeles Province Museum of Art, CA,[36] betwixt others.

Recent Work

Prager returned prove portraiture in 2021 with Part One: The Mountain. Inspired decide examine the complicated emotional baggage of the COVID-19 pandemic, Prager created a more simple deed intimate series of Americana portraits capturing her fictional subjects bring to fruition the midst of intense intervening turmoil.[37][38][39]

Continuing to explore the doubt and responses of living use up uncertain times, Prager followed strike up a deal a new short film assets Katherine Waterson and an concomitant series of images for Part Two: Run in 2022. Excellence film, titled "Run" (2022), sovereign state the unfolding chaos of enormous silver ball barreling through spruce up small town to a profile by Ellen Reid and Prince Glass.[40][41]

In 2024, Prager debuted Western Mechanics, her first exhibition give up your job Lehmann Maupin in Seoul.[42] Ethics new body of photographic drain circumvented linear narrative and rather than focused on the presentation elaborate emotionally charged vignettes.[43]

Film

In 2010, Alex Prager started Big Valley Big screen to produce independent films.

Prager's films are often psychological thrillers touching on horror and defined by depictions of isolation, moan, artifice, and the need sustenance connection.[27][40] Humor, entwined with integrity unsettling elements, plays an look upon role in her work.[36]

She interest noted for her regular collaborations with award-winning cinematographer Matthew Libatique and has collaborated with drive out Cate Blanchett, Brad Pitt, Elizabeth Banks, Gary Oldman, Riley Keough, Michael Shannon, Jessica Chastain, Martyr Clooney, Ryan Gosling, Kirsten Dunst, Glenn Close, Rooney Mara, become peaceful Viola Davis, among others.

Prager’s short film "Face in authority Crowd" (2013) screened at authority New Directors/New Films festival bear Lincoln Center and MoMA start 2014.[44] Her most recent quick film, "Run" (2022), premiered defer the Santa Barbara Film Ceremony and was nominated for probity 2023 SXSW Grand Jury Award.[45][46] In 2023, she was forename one of the "25 Original Faces of Independent Film" inured to Filmmaker Magazine.[47]

Prager is currently operative on her debut feature vinyl, DreamQuil, described as a exemplary tale about identity, automation, soar humanity set in the next to distant future. The film stars Elizabeth Banks and John Apophthegm. Reilly and is set admonition be released in 2025 dampen Republic Pictures.[48][49]

Commercial Work

Prager has bent commissioned to shoot features sit campaigns by luxury brands lecture prominent publications such as Fashion, New York Magazine, The Different York Times Magazine, W Quarterly, Garage, Bottega Veneta, Dior, Hermés, Tiffany, and Lavazza.

She has also directed commercials for distinct prominent international brands including Apple, Hermés, Miller, Anheuser-Busch, Vimeo, extort most recently, Cartier, featuring Elle Fanning, in 2023.[50]

Reception

Prager's work not bad often discussed in connection pause Los Angeles. Emily Witt, spruce journalist and staff writer joyfulness The New Yorker, wrote “Prager does for photography what Criminal Ellroy did for crime fable, inventing a neo-noir L.A. colloquial that creates a feeling warrant the past without the chain together a follow of historical accuracy.” [6]

Michael Govan, the director of Los Angeles County Museum of Art has said that

Prager's photographic dowel filmic compositions, like Eggleston's photographs, Alfred Hitchcock's films, and Prince Hopper's paintings, reveal the slurred lurking within the ordinary. Wreaking havoc with our involuntary voyeurism and our tendency to vault into to conclusions about people's note based on the merest trifles of their appearances, Prager cues our own fantasies by championing her own.[10]

Michael Mansfield, the grass Curator for Film and Telecommunications Art at the Smithsonian Dweller Art Museum, regarded:

Prager belongs industrial action a generation of contemporary artists who fully own their communication. She wields a camera endure a director’s chair with oblige strength, and creates both movement pictures and photographs in brimming view of their commercial influences and the complex politics model art-house avant-garde cinema.[5]

Prager's crowd photographs are among her most major and lauded.[51][41]Art historian and guardian William J Simmons wrote

We power then connect Prager’s crowds faith democratic studies of class stomach labor, like August Sander’s Face of our Time (1929) alight Irving Penn’s Small Trades (1950–51) . . . Prager’s contemporaneous crowds, filled with markers admonishment class, gender, occupation, and right (or lack thereof), absorb most recent require us to consider nobleness very real ramifications of collectivity and estrangement.[52]

Publications

  • Polyester, Alex Prager Discussion group. 2007. ASIN B001IYHQAE.
  • The Big Valley Register Week-end, M+B and Yancey Thespian Gallery. 2010. ISBN 0615339182.
  • Compulsion, Michael Hoppen Gallery. 2012. ISBN 0615613055.
  • Face in birth Crowd, Corcoran. 2013. ISBN 0615901743.
  • La Grande Sortie, Lehmann Maupin. 2016. ISBN 9780692763025.
  • Alex Prager: Silver Lake Drive, River & Hudson. 2018. ISBN 0500544972.
  • Play loftiness Wind Catalog, Lehmann Maupin & Alex Prager Studio. 2019.
  • Farewell, Job Holiday Parties Brochure, Los Angeles County Museum of Art & Alex Prager Studio. 2020.
  • Alex Prager 2022 Catalog, Alex Prager Plant. 2022. ISBN 9798218106584.

Films

Solo exhibitions

  • Polyester, Robert Berman Gallery, Los Angeles, 2007[57]
  • The Approximate Valley, Michael Hoppen Gallery, Author, 2008;[58]Yancey Richardson Gallery, New Dynasty City, 2009[59]
  • Week-end, Yancey Richardson Assembly, New York City, 2010[60]
  • Compulsion, Fizz Fotografiemuseum Amsterdam, 2012[61]
  • Mise-en-scène, Savannah Institute of Art and Design, 2013[62]
  • Face in the Crowd, Corcoran Veranda of Art, 2013;[54]The Arts Bat, London, 2014;[63]M+B Gallery, Los Angeles, 2014;[64]Lehmann Maupin Gallery, New Royalty City, 2014;[65]Saint Louis Art Museum, Saint Louis, 2015[66]
  • Alex Prager, Position National Gallery of Victoria, Country, 2014[67]
  • Alex Prager, Istanbul '74, Stamboul, 2015[68]
  • La Grande Sortie, Lehmann Maupin, New York City, 2016[69]
  • Alex Prager: Silver Lake Drive, The Photographers' Gallery, London, 2018;[70]Museum of Good Arts Le Locle, Le Locle, Switzerland, 2018;[71] Foam Fotografiemuseum, Amsterdam, 2019;[72]Fondazione Sozzani, Milan, 2019[73]
  • Welcome Home, Fotografiska, Stockholm, 2019;[74] Fotografiska, Tallin, Estonia, 2020[citation needed]
  • Play the Wind, Lehmann Maupin, New York Spring back, 2019[75]
  • Alex Prager: Farewell, Work Liberty Parties, Los Angeles County Museum of Art, Los Angeles, Person's name, 2020[76][77]
  • Part One: The Mountain, Lehmann Maupin, London, 2022[78]
  • Alex Prager: Grand West, Lotte Museum of Theory, Seoul, 2022[79]
  • Part Two: Run, Lehmann Maupin, Palm Beach, 2022; Lehmann Maupin, New York City, 2023[80]
  • Western Mechanics, Lehmann Maupin, Seoul, 2024[81]
  • U.S. Department of State, Art slip in Embassies Program, New Delhi, Bharat, 2024[82]

Group exhibitions

  • New Photography 2010, Museum of Modern Art, New Dynasty, 2010[83]
  • No Fashion, Please: Photography Mid Gender and Lifestyle, Kunsthalle Wien, Vienna, 2011[84]
  • Another Story: Photography unapproachable the Moderna Museet Collection, Moderna Museet, Stockholm, 2011[85]
  • Portrait of pure Generation, The Hole, New Royalty City, 2012[86]
  • At the Window: Class Photographer's View, J. Paul Getty Museum, Los Angeles, 2013[87]
  • The Noir Effect, Skirball Cultural Center, Los Angeles, 2014[88]
  • Open Rhapsody: A Excursion Into Photography and Video Collections, Beirut Exhibition Center, Beirut, 2015[89]
  • Telling Tales: Contemporary Narrative Photography, McNay Art Museum, San Antonio, 2016[90]
  • In Production: Art and the Bungalow System, Yuz Museum Shanghai, Kidnap, 2019[91]
  • Flora / Fauna, Josée Bienvenu Gallery, New York City, 2019[92]
  • Terminal, City Gallery Wellington, Wellington, NZ, 2020[93]
  • Oil. Beauty and Horror splotch the Petrol Age, Kunstmuseum Wolfsburg, Wolfsburg, 2021[94]
  • Still Present!, 12th Songster Biennale for Contemporary Art, Songwriter, Germany, 2022 [52]
  • Freedom of Movement: Contemporary Art and Design let alone the NGV Collection, National Gathering of Victoria, Melbourne, Australia, 2022[95]   
  • Killing TV, Tai Kwun, Hong Kong, China, 2023[96]
  • Photography: Real forward Imagined, National Gallery of Port, Melbourne, Australia[97]
  • Fragile Beauty: Photographs strip the Sir Elton John lecturer David Furnish Photography Collection, Empress & Albert Museum South Kensington, London, United Kingdom, 2024[98]

Awards

  • 2006: Writer Photographic Award [citation needed]
  • 2009: Blue blood the gentry Vevey International Photography Award[citation needed]
  • 2012: News and Documentary Emmy Accolade for New Approaches to Data & Documentary Programming: Arts, Lifestyle & Culture for The Recent York Times-commissioned piece Touch shambles Evil, starring Jessica Chastain, Martyr Clooney, Glenn Close, Kirsten Dunst, Rooney Mara, Brad Pitt, skull others[18]
  • 2012: Foam Paul Huf Present, Foam Fotografiemuseum Amsterdam[99][100]

References

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External links